Like the chapters of some strange and fantastical book, the interior of this installation was divided into four main areas, with each area containing a mixture of sculptural and kinetic works. One artwork played music whilst another jolted and whirred. One artwork ticked, and another spun glass discs, as if the work were on a stage, performing some type of magical trick. A small dioramic scene could be seen on each disc, presenting onlookers with an array of odd characters surrounded by small piles of rotting foodstuffs. The artwork standing over these things contained a fully operational insect exterminator, providing a fatal last light to any insect attracted by the artwork's rotten food. In the installation´s last area, a cast-rubber squid could be squeezed, triggering another work to begin lifting and lowering its wired up and wheezing rubber bellows. Finally there were seven pictures showing the rubber squid in another context: this time photographed as it was being used as a type of flogging device in a variety of local public contexts.